Dojo Boys: Dragon and Crow is an engaging read, recommended to me by respected author and friend, Andrew Ashling. Alex Akira has written a complex story of romance, abuse and lives of Dojo training. The first of a two book series, Dragon and Crow is an entanglement of dance, karate, crime detective, child abuse and revenge, all played out within a complexity of character(s).
Alex does a respectable and believable job of developing a very complex, multi-personality character which the story revolves around. This group of personalities, especially, are real and affectionate, while creating lots of drama.
The editing is a bit of a challenge. The use of “whom” rather than who, throughout drove me a little bonkers, but it certainly will not stop me from reading the second half of the story, which I just downloaded to my Kindle.
As Andrew Ashling moved toward completion of the first book in his second trilogy…or the fourth book in the second movement of his double trilogy set…I was looking forward to more of a lot of things. I got it all, plus kind of an interesting new surprise.
I love the depth of character development he brings to the warriors, pages, dukes, mothers, aunts, brothers, etc. that have been carried along through the four books. Andrew makes me laugh at the antics the besotted pages get into with both their boyfriends and their girlfriends. I still cringe at the new and nasty torture techniques and depth of descriptions he lays before us for those who have done (or thought…) terrible things which he deems punishable. And I am rubbing my hands together in glee as I get to know an additional brother / prince that will certainly play a significant role in the future books.
In the third book Andrew proved that he was a chess player in the story telling sense of the word. He handled a number of dissimilar plot lines and blithely moved them forward to completion without using the wave of a magic wand. In this fourth book he pulls out all the stops and proves that in triplicate. There is no doubt in my mind that this is the written history of a story that happened far away and not a yarn spun by a pencil chewer sitting at a computer terminal. My eyes and fears (yes, I meant fears) opened with the new realizations that Anaxantis made as he moved through the story. This heightens my enthusiasm for the fifth and sixth installments of what, seems like, could be a life long endeavor for Andrew.
Book four has made me look at Andrew Ashling with new admiration for his story telling ability, and retained love for the wit, humor and sexuality in his writing. Thank you once again for bringing entertainment to my life, Andrew!